Reviews

This Darbar review contains spoilers... I can’t recall the last time I felt this way watching a Rajinikanth film. As the end credits of his...

"Ada get up and dance, it's a darn new chance, un kayil ellame irukkudhada," It was as if Benny Dayal was dancing to these...

This review of Metro Maalai contains spoilers.  Metro Maalai tells an unspectacular tale (I mean that as a compliment) of two individuals, one of whom...

"How can I perform at the Malaysian Independent Live Fusion Festival and not sing an indie song?" asks Shweta Mohan before she sings her...

This Bigil review contains spoilers... Mersal, the previous collaboration between director, Atlee, and actor, Vijay, opened with a mystery. We see a number of...

It’s the 1800s. The Brits have long occupied, colonized and enslaved India. They’re arseholes who believe the world belongs at their feet because they’re...

Apart from Petta and for very different reasons, Asuran (The Demon) was my most anticipated Indian film of the year. What can I say? I’m...

This review contains spoilers... Kaappaan opens with Suriya planting bombs on a train before setting it off and jumping off right in the nick of...

Santhakumar has a very interesting way of unravelling situations, one that keeps your gears spinning and eyes locked.

Between Saaho, 2.0 and Thugs of Hindostan, there’s an important lesson to be learned: No grandiose budget can replace a good screenplay.