The Malaysian performing arts community is mourning the loss of one of its most cherished veterans, Mano Maniam, who passed away at the age of 79 on 29th May 2025. An actor, educator, and cultural advocate whose career spanned more than five decades, Mano’s passing has left a profound void in the hearts of his fans and peers.
Born in 1945 in Ipoh, Perak. Mano Maniam was a child of the arts long before he ever stepped on stage. Inspired by ‘bangsawan’ and ‘sandiwara’ roadshows, he witnessed as a boy, Mano discovered Shakespeare during his school years at Anglo-Chinese School (ACS) Ipoh, a love that would shape both his career and his life. He later returned to his alma mater, not as a student, but as a teacher, building the same spark in the next generation.
Image Source: FMTTo the wider Malaysian public, Mano was affectionately known as “Uncle Chan” from the beloved late 90s sitcom ‘Kopitiam’. But to his colleagues in the theatre world, he was simple Mano. A titan of the stage, equally comfortable performing as he was in Shakespearean dramas. His range was astonishing, with memorable roles in Malaysian films like ‘Mat Gelap (1990)’, ‘ Kolumpo (2013)’, and ‘Barbarian Invasion (2021), as well as international projects like ‘Anna and the King’ and ‘Marco Polo’.
Tributes have poured in from across Malaysia’s creative and cultural circles, painting a collective portrait of the men who was generous with his talent.
Image Source: MalayMailFaridah Merican, who acted alongside Mano in 1970s, “He gave his all, as he did with every role. We were just talking about having a theatre show for seniors, and it is a pity we wont get to do it”.
Joe Hasham, director and co-founder of The Actors Studio, “Mano was an amazing actor, and a wonderful human being. His acting was positive. His humanity was positive. Everything about him was positive”.
Colleagues remembered his warmth, humility and unshakeable dedication to the craft. Comedian and actor Douglas Lim, who worked with him on Kopitiam said, “In my eyes, he will always be the free-spirited, adventure-loving, caring and generous Uncle Mani”.
Mano’s artistic presence extended far beyond performance. A committed educator, he taught acting at various institutions and even led workshops for senior citizens at the Kuala Lumpur Performing Arts Centre. He continued to explore the intersection of art and knowledge well into his later years, leading his voice to ‘Meniti Cakerawala: The Science and Romance of the Cosmos’ just last year.
PEN Malaysia called him ‘a craftsman of the soul’, saying, ‘As an artists, he expanded the stage beyond its edges. As a teacher, he nurtured generations with fierce gentleness’.
Indeed, Mano Maniam’s legacy is not only in the Malaysian cultural history, it lives on in every artist he mentored, every student he inspired, and every audience member he moved. His was a life not merely lived, but profoundly shared.
He is survived not just by his family and friends, but by an entire community of artists who carry forward his legacy.
Sources: MalayMail, FMT
