Reviews

Karthick Naren is a talented filmmaker. His first feature film, Dhruvangal Pathinaaru, was so rich in minute detail, the world...

"Penang, let me hear you scream!" shouts Sid Sriram, and the 4000-strong audience releases a deafening roar that reverberated through...

This Pattas review contains as many spoilers as its trailer...  A mother (Sneha), draped in a Saree and exhaustion scurries...

This Darbar review contains spoilers... I can’t recall the last time I felt this way watching a Rajinikanth film. As...

"Ada get up and dance, it's a darn new chance, un kayil ellame irukkudhada," It was as if Benny Dayal...

This review of Metro Maalai contains spoilers.  Metro Maalai tells an unspectacular tale (I mean that as a compliment) of...

"How can I perform at the Malaysian Independent Live Fusion Festival and not sing an indie song?" asks Shweta Mohan...

This Bigil review contains spoilers... Mersal, the previous collaboration between director, Atlee, and actor, Vijay, opened with a mystery. We...

It’s the 1800s. The Brits have long occupied, colonized and enslaved India. They’re arseholes who believe the world belongs at...

Apart from Petta and for very different reasons, Asuran (The Demon) was my most anticipated Indian film of the year. What...

This review contains spoilers... Kaappaan opens with Suriya planting bombs on a train before setting it off and jumping off...

Santhakumar has a very interesting way of unravelling situations, one that keeps your gears spinning and eyes locked.